Difficulty level: Hard
Text 1 is adapted from E.M. Forster's 1910 novel Howards End. Text 2 discusses Howards End. King's Cross and St. Pancras are adjacent railway terminals in London from which trains travel to the countryside.
Text 1
To Margaret the station of King's Cross had always suggested Infinity. Its very situation—withdrawn a little behind the facile splendours of St. Pancras—implied a comment on the materialism of life. Those two great arches, colourless, indifferent, shouldering between them an unlovely clock, were fit portals for some eternal adventure, whose issue might be prosperous, but would certainly not be expressed in the ordinary language of prosperity.
Text 2
The interplay between opposing ideological positions in Howards End is broadly articulated in the novel's organization of geographic space. On the one hand, the modern metropolis of London represents capitalism's emphasis on pragmatism and the accumulation of material wealth; on the other, the English countryside, accessible via King's Cross, fosters an idealism that values tradition, authentic personal connection, and the aesthetic-what the novel calls "the infinite."
Based on the texts, the author of Text 2 would most likely agree with which statement about King's Cross, as it is depicted in Text 1?
A). Because it is situated at the beginning of Margaret's journey from the city to thecountry, King's Cross emblematizes the intrusion of the forces of materialism and modernity into the rural spaces that the novel associates with idealismn and tradiion.
B). The austerity conveyed by King's Cross's appearance mirrors Margaret's disillusionment with the prospect of having authentic connections with other people in a world that chiefly values more conventional forms of prosperity.
C). As a point of connection berween London and the countryside, King's Cross suggests to Margaret the possibility of acquiring the intangible abundance promised by the kinds of authentic engagements that the novel's rural spaces seem to offer.
D). King's Cross has a relatively unassuming appearance whose sharp contrast with the more aesthetically pleasing appearance of St.Pancras suggests to Margaret the ascendancy of the pragmatlc capitalistic outlook among London's inhabitants.